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In the course of finding a cover for my Underworld comics collection, UNDERWORLD from Hoboken to Hollywood, I went through a lot of sketches. I even got creatively stuck and ripped off my cover for Ink Punk Underworld 3 in this sketch – which of course I didn’t follow through with (thank my better judgement). I often wind up loving my pencil sketches for their energy. And I love the dumb sloppy power of this one.
This detail is of an illustration I originally did for R. Crumb’s Weirdo back in the mid 80’s. It depicts a hapless knucklehead digging in the trash for a tossed out winning lottery ticket. The background is of a Lower East Side fantasia including a piece of graffiti of Rosie the Robot by 80’s East Village painter, Kenny Scharf. Like a lot of other fools, I bought lottery tickets when I lived in Hoboken and was a poor starving cartoonist. This version was from a limited edition print by Rotland Press. Sorry folks, these are all sold out. But if you want prints for sale check out this page.
Here’s a bunch of character sketches I did for a French production company’s cartoon GET BLAKE. My partner, Antoine and I sold the show that ran for a season. But that’s another story. With these sketches I was trying all kinds of different shapes in order to find the main character. None of these versions made it to the final. But I like the energy of all these goofy figures on the same page.
Order “The Underworld: From Hoboken to Hollywood” the omnibus collection of the very best of the strip’s 23-year run, with annotations, photos, and other surprises from the author (along with a foreword by Mutts creator Patrick McDonnell).