Here’s my attempt at doing a single panel gag cartoon. When I was 16 I got it into my head that I would be a single panel gag cartoonist. I figured that getting paid for doing one drawing was much better than getting the same pay for for a multi-panel comic strip (and would take
Click on post below to view entire post.
Here’s a page out of one of my sketchbooks. I use drawing in my sketchbooks for many different reasons. I might be looking for a new cartoon character, copying another artist’s work to explore how she does it, as a preliminary for a larger drawing or painting. Some of these figures were taken from other cartoons and tweaked by me. I found a website where people drew their favorite cartoon characters with their eyes closed. Some of the misfired results looked amazingly original (and so wrong) to me that I copied them and tweaked them until I got some of the weird characters on this page. The character with the crown and striped shirt made it into the background of some of my comics.
In the course of finding a cover for my Underworld comics collection, UNDERWORLD from Hoboken to Hollywood, I went through a lot of sketches. I even got creatively stuck and ripped off my cover for Ink Punk Underworld 3 in this sketch – which of course I didn’t follow through with (thank my better judgement). I often wind up loving my pencil sketches for their energy. And I love the dumb sloppy power of this one.
This detail is of an illustration I originally did for R. Crumb’s Weirdo back in the mid 80’s. It depicts a hapless knucklehead digging in the trash for a tossed out winning lottery ticket. The background is of a Lower East Side fantasia including a piece of graffiti of Rosie the Robot by 80’s East Village painter, Kenny Scharf. Like a lot of other fools, I bought lottery tickets when I lived in Hoboken and was a poor starving cartoonist. This version was from a limited edition print by Rotland Press. Sorry folks, these are all sold out. But if you want prints for sale check out this page.
Here’s a bunch of character sketches I did for a French production company’s cartoon GET BLAKE. My partner, Antoine and I sold the show that ran for a season. But that’s another story. With these sketches I was trying all kinds of different shapes in order to find the main character. None of these versions made it to the final. But I like the energy of all these goofy figures on the same page.
LATEST IN UNDERWORLD
Here’s a way-too sketchy comic strip I did straight in ink. It looks like I may have drooled on the first panel blotting some of the ink lines. This is a typical Underworld joke that I’ve done a couple of times. Something that seems scary and aggressive turns out to be a turn on. I
SUBSCRIBE TO OUR EMAIL
UNDERWORLD FROM HOBOKEN TO HOLLYWOOD OMNIBUS
Order “The Underworld: From Hoboken to Hollywood” the omnibus collection of the very best of the strip’s 23-year run, with annotations, photos, and other surprises from the author (along with a foreword by Mutts creator Patrick McDonnell).