Here’s a bunch of character sketches I did for a French production company’s cartoon GET BLAKE. My partner, Antoine and I sold the show that ran for a season. But that’s another story. With these sketches I was trying all kinds of different shapes in order to find the main character. None of these versions made it to the final. But I like the energy of all these goofy figures on the same page.
So there are two things going on here. Snuff has obviously drunk so much that he’s in a black out. When you’re in a black out you don’t know you are. The people around you don’t know you are because you act normal (though tipsy). But your brain can’t make the memories of what you’re
Is it weird? I’ve always loved freckles. I had ‘em as a kid. Still have ‘em on my shoulders. I like the word. Freckles. It’s fun to say. But mostly I liked girls with freckles. A few years ago I was trying to explain it to a friend when I said that I liked that
Order “The Underworld: From Hoboken to Hollywood” the omnibus collection of the very best of the strip’s 23-year run, with annotations, photos, and other surprises from the author (along with a foreword by Mutts creator Patrick McDonnell).
Kaz grew up a working class brat who loved cartoons, monsters, punk rock and fine arts. He studied cartooning at NYC’s School of Visual Arts under art spiegelman and Harvey Kurtzman. In 1991 he created the Harvey-nominated strip Underworld which continues to be published in alternative weekly papers across the United States. Since 2001 he has written for Spongebob Squarepants, Cartoon Network’s Camp Lazlo and Disney’s Phineas & Ferb.
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